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Hollywood is worried about AI writing scripts, abusing copyrighted material, and replacing writers. This is something different. It's not a co-writer.

It reads your script — the way a room of professionals would — and tells you what's working and what isn't. Nothing it hands back is text to drop into your draft. It's notes. The writing, the choices, the voice stay entirely yours. The Read Before gives you the development notes you'd get in the real world — but you're the one who implements them.

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What you get.

One in-depth report. You read the Top Takeaway and Verdict first; the full read opens underneath — every phase with its decision, a producer's note on what to do next, the pacing, and a proofread.

TITLE: GRAVITY HILL SCREENPLAY, 112 PP. TIER: SPECIALTY ($5–20M) EXAMPLE READ

ADVANCE WITH CONDITIONS

TOP TAKEAWAY
A contained thriller with a real engine — and a third act that quietly hands the engine back. The premise sells the room; pages 78 through 104 un-sell it. One structural rewrite from a script people fight over.
THE KEYSTONE FIX
Move the reveal to the midpoint and make keeping the secret cost Marisol something on screen by page 60. One change, three wins: the finale stops coasting, the lead gets her best scene, the third act earns its end.
WHAT TO DO NEXT
Straight talk: land that rewrite and send it out as a specialty sample. I can't see your slate or who's already reading you, so weigh it yourself — but if it were me, I'd push this one.
An example. Your own read is generated live, against your pages.

Get your script ready to send.

Run it, read the notes, revise, run it again — privately, as many times as you want, watching the verdicts move. The first read's free: no card, no account. If it earns it, subscriptions start at $19.99.

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